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Ewald Mataré
Ewald Wilhelm Hubert Mataré (25 February 1887 in Burtscheid, Aachen – 28 March 1965 in Büderich) was a German painter and sculptor, who dealt with, among other things, the figures of men and animals in a stylized form.
==Career==
Mataré began his instruction as an artist at the Akademie der Künste in Berlin in 1907. He was a student of Prof. Julius Ehrentraut (b. 1841), Lovis Corinth (1858–1925), and History painter Arthur Kampf. In 1918, he joined the November Group. Mataré first dedicated himself to sculpture after finishing his painting studies. A great part of his sculpted work are of animal figures.
In 1932 he received a professorship at the Kunstakademie Düsseldorf. After the Machtergreifung of 1933 however, all cultural and artistic life in Germany was brought into ideological alignment by the Nazis; Mataré was denounced as "degenerate" and expelled from his position. One of his sculptures "Die Katze" (The cat) was placed into the exhibition of shame and derision "Entartete Kunst" (Degenerate Art) staged by the Nazis in Munich, 1937.〔Stephanie Baron (ed), Peter Guenther at al. (1992) „Entartete Kunst“ Das Schicksal der Avantgarde im Nazi-Deutschland. Exhibition catalogue, Los Angeles County Museum of Art and German Historic Museum. Hirmer Verlag, Munich, ISBN 3-7774-5880-5.〕 Church commissions became his sole source of income.
After the war, Mataré was asked to become the director of the Kunstakademie Düsseldorf, but he quickly resigned because he felt there were still too many professors at the Akademie who had been actively teaching there during the Third Reich. Furthermore, no one was interested in his ambitious reform plans, which would have allowed fourteen-year-olds to study at the Akademie. However he was active at the Academy - albeit in an off-site studio - for long enough to teach artists like Günter Haese, Erwin Heerich, Georg Meistermann, and, most famously, Joseph Beuys.〔Adriani, Götz, Winfried Konnertz, and Karin Thomas: Joseph Beuys: Life and Works. Trans. Patricia Lech. Woodbury, N.Y.: Barron’s Educational Series, 1979.〕 During the post-war era, Mataré took many commissions from the public sector; he also worked on many churches, e.g. he built four doors for the south portal of the Cologne Cathedral. He participated in documenta 1 (1955) and 2 (1959).
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